Antiques Roadshow guest bursts into 涙／ほころびs at valuation of dead brother's vintage 激しく揺する & Roll posters: 'He loved them, and I love them too'
An Antiques Roadshow?guest burst into 涙／ほころびs after?she was told the appraised value of her?dead brother's 1960s 激しく揺する & Roll posters.?
The guest had 現在のd 47 posters collected by her brother between?1967 to 1969 of さまざまな 激しく揺する musicians and 禁止（する）d to James Supp for evaluation.
She quickly told Supp that before passing away 28 years ago, her brother would send money for postage to 激しく揺する concert promoter 法案 Graham and the iconic music 発生地 Fillmore West, and in return would receive a poster in the mail.?
When asked by the evaluator where the posters had been for nearly three １０年間s, she 解任するd that her mother had taken them off her brother's 塀で囲むs and securely 蓄える／店d them in a box.?
After learning how the posters had been pristinely 保存するd, Supp was told the artworks had 広大な／多数の／重要な value, 公式文書，認めるing one in particular which held the highest?market price.?
まっただ中に 涙／ほころびs, the guest says: 'Wow. Wow! He loved them and I love them too. I want to do something with them, you know? I don't know what to do. Enjoy them not in a box anymore'
He 述べるd a Jimi Hendrix 飛行機で行くing eyeball poster with art by Rick Griffin from 1968 as 'the most iconic 1960s 激しく揺する and roll posters', explaining it 代表するd the 頂点（に達する） of 60s 幻覚的な art.?
Supp went on to also explain that the eyeball poster was a first 版 予定? to?placement of the '法案 Graham' and the poster number.?
'The poster number is 105 from "法案 Graham 現在のs" and because of its placement under the word "tickets", you can tell it's a first 版,' he told the surprised guest.?
The guest was then told that since the poster had very 極小の 損失 and no pinhole 示すs, it could be valued anywhere between?$5,000 to $7,000.
The woman was left 完全に shocked after 審理，公聴会 the valuation of the rare poster and can be heard telling Supp of how 'awesome it is'.?
The guest had 現在のd 47 posters collected by her brother between 1967 to 1969 of さまざまな 激しく揺する musicians and 禁止（する）d to James Supp for evaluation
The evaluator then goes on to price another Jimi Hendrix poster from 1968 when he was at the 頂点（に達する） of his career between?$3,000 to $5,000.?
Another poster of The 感謝する Dead 成し遂げるing at Caf? au Go Go in Greenwich Village for the first time ever was also valued at?$2,000 to $3,000.
He also 公式文書，認めるs that the 推論する／理由 why all of the posters are 定価つきの 異なって is because their value 'not only depends on which concert or which artist played but also is it a first 版 print, is it printed before the concert or is it printed after the concert'.?
By the end of the evaluation, Supp tells the guest that her entire 47 poster collection would collectively be 定価つきの between $20,000 and $35,000.
He 述べるd a Jimi Hendrix 飛行機で行くing eyeball poster with art by Rick Griffin from 1968 as 'the most iconic 1960s 激しく揺する and roll posters' and explained that it 代表するd the 頂点（に達する） of 60s 幻覚的な art
まっただ中に 涙／ほころびs, the guest says: 'Wow. Wow! He loved them and I love them too. I want to do something with them, you know? I don't know what to do. Enjoy them not in a box anymore'.
James Marshall 'Jimi' Hendrix is regarded?as the greatest and one of the most 影響力のある electric guitarists in history, にもかかわらず only having a four-year professional career before his death.?
The 激しく揺する and Roll Hall of Fame 述べるs him as 'arguably the greatest instrumentalist in the history of 激しく揺する music'.?
